Exploring Digital Frontiers in Research and Creativity
Thu, Sep 26, 10:00 to 11:40am, Association for the Study of African American Life and History Paper Session
Abstract
Exploring digital frontiers in research and creativity heralds a new era of innovation, collaboration, and discovery. From data-driven insights to virtual realities, digital tools expand the horizons of inquiry, offering dynamic platforms for exploration and experimentation. In research, algorithms sift through vast datasets, unveiling patterns and correlations previously unseen. In creativity, digital canvases invite artists to push boundaries, blending mediums and defying conventions. The digital realm democratizes access to knowledge and resources, empowering diverse voices and perspectives to contribute to the global dialogue. As we navigate these digital frontiers, we chart uncharted territories, forging connections and forging pathways that redefine the boundaries of possibility. This panel offers a compelling exploration of digital innovation, interdisciplinary collaboration, and creative methodologies in both academic research and artistic practice. Attendees will gain insights into the transformative potential of digital technologies for advancing scholarship and amplifying marginalized voices in research and creativity.
"Navigating the Intersections: African American Art History in the Digital Age" - by Brittany Myburgh, Jackson State University and Mary Soylu, Alabama State University
"The Creative Dissertation: Podcasting as Qualitative Inquiry" - Anne Marie Edwards, Purdue University
A key highlight of our latest ongoing project is Ashanti Stiff's recent workshop! As a UX Research Assistant, Stiff led a session that focused on ideation, speculative design thinking, and evaluating boundaries and barriers in digital humanities - all in the context of curating an exhibition on the history of the Department of Art at JSU.
Ideation and Speculative Design Thinking
The workshop explored ideation and speculative design thinking through a series of activities. This approach is all about envisioning future possibilities in the realm of both art and digital humanities. It encourages participants to think creatively and expansively about how technology can intersect with and transform traditional art forms and curatorial practices.
Assessing Boundaries and Barriers
A critical aspect of the workshop was identifying and exploring the boundaries and barriers currently present in communicating the history and future of the Department of Art. Stiff guided participants through a process of critical analysis, encouraging them to question existing limitations and envision ways to transcend them.
The Fusion of Digital and Artistic Techniques
The workshop placed a strong emphasis on how digital tools and methods can be integrated into artistic practices and exhibition spaces. This exploration is crucial for the lab's mission, which aims to bridge the gap between technology, history, and art.
The discussions and creative concepts developed in this workshop are vital to helping us think through the possibilities for exhibiting stories and futures. The workshop not only highlighted the potential of digital humanities to transform our understanding of history and art, but also set the stage for future innovations in this exciting and evolving field.
Thank you, Ashanti! And thank you to our participating students!
A professor in the making!
Congratulations to Capryka Hunt, our amazing Research Assistant, on leading a very successful workshop as part of our Black Digital Humanities research project and speaker series. Participants learnt about ideation activities, speculative design thinking, and how to assess boundaries and barriers for their ideal projects 💡 The insights collected from this workshop will help us shape this platform!
